December 19, 2025

La Machine des sens (The Sensory Machine)

Recently, we’ve felt a shift of needs as the digital world has connected us in an increasingly isolating manner. Who are we to ourselves? To others? To our communities? À la fin de la journée, qu’est-ce qui nous lie l’un à l’autre?

After the inspirational work put on through years of work by numerous creators (dancers, academics, cultural workers, theatre-makers, and many more) for its digital project, The Centre Cannot Hold, Postmarginal was left with an ever-pervasive pull towards how we can explore new ways of inclusive creative practices. Although it’s incredibly helpful to think and play and explore how the creation process can live and breathe, there can often still be a vacuum left for something big, something that sticks, provokes, and maybe even amazes. With that, we’re excited to share with you the inaugural production of Postmarginal Projects Inc.: La Machine des sens (The Sensory Machine).

WHAT IS THE MACHINE DES SENS?

La Machine des sens is a 70-minute immersive theatrical experience designed for small groups of 15 to 30 participants. Audiences move through a carefully choreographed sensory journey spread across multiple floors of a warehouse. Four distinct artistic worlds—created by Gaëtane Cummings, Cai Glover, Art Babayants, and Cassel—form a constellation of immersive “stations” that the public encounters through a guided yet exploratory pathway.

This new production aims to call for a world where humans, not digital beings, and connection, not polarization, take the lead. Even more, we hope it can offer a balm to our troubling times. 

We’re happy to introduce the four leading and award-winning creators who will help bring this work to life: Gaëtane Cummings, Art Babayants, Cassel, and Cai Glover. Working with or between their different psychological, artistic, and physical perspectives, these four creators will explore and create individual 10 to 20-minute works that, with the support of our creative team, will explore how the senses can intersect in a journey by working with technological devices to create a playful and moving public experience. More specifically:

  • Gaëtane Cummings, a multidisciplinary crip artist whose work synthesizes experiences into spontaneous art that intuitively represents life on the margins, plans for a theatrical installation that invites the public to engage with in a nature installation that delves into our relationship with the natural world and disability. 
  • Art Babayants, a theatre artist, director, and teacher known for his work and research in multilingual theatre, will be exploring Un touchée de Tango Queer a dance-theatre production in a silent and participatory form aimed at deconstructing the dance style’s gendered/binary roots;
  • Cassel, artist, writer and founder of the theatre company Nonante, looks to present an excerpt of Tremblements: La poésie de mes changements climatiques, a poetic and scientific theatrical exploration of the experience of trembling with a person living with Parkinson’s;
  • Cai Glover, a dancer, choreographer and founder of the dance company A Fichu Turning, offers Disorder. Through dance and motion-triggered sound, the work immerses audiences in their unique auditory worlds—juxtaposing the distorted stimuli of devices with the demands of a society clinging to “normalcy.” 

A Theatre FOR the Senses

The creative approach draws inspiration from immersive pioneers such as Punchdrunk (Sleep No More) and the perceptual installations of Olafur Eliasson, where space, light, and sensation become dramaturgical tools. Here, dramaturgy is not driven by narrative alone but by sensory intelligence—how sound, texture, vibration, movement, and silence shape meaning.

AN AMBULATORY IN SITU THEATRE PIECE

La Machine des sens explores these four works in immersive “stations” connected together through tethers in each others’ spatial, temporal and sensory universes at the Bâtiment7 Warehouse in Point Saint-Charles. All of this, done with the help of our creative team, will also serve as a playing ground for a new research project supported by McGill and Concordia universities: one that explores isolation, systemic inaccessibility, and the need for inclusive cultural participation by exploring how immersive, multi-sensory artistic experiences can foster relational connectivity—particularly in neurodiverse and marginalized communities.

With much to be done, we’re excited to share these initial items of our inaugural Postmarginal production. As we continue applying for support in this piece, we’re looking forward to staying in contact with the ever-expanding network we’ve created with each other. 

At its core, the project responds to a deeply contemporary anxiety. In a world shaped by artificial intelligence, digital abstraction, and social polarization, our connection to our own bodies—and to one another—has grown fragile. La Machine des sens proposes an artistic counter-movement: a return to sensation, relation, and collective presence. It resists isolation by privileging touch over screens, vibration over text, and shared experience over individual consumption.

Has this new project piqued your interest? Sign up to our newsletters to stay up-to-date with all our events! You can also email us at info@postmarginal.ca for more information on our ongoing projects.

ARTISTES PRINCIPALAUX

 Art Babayants, Créateur de la station Toucher de tango queer

 Gaëtane Cummings, Créatrice de la station Psy-boulettes

 Cassel, Créateur de la station Tremblements

 Cai Glover, Créateur de la station Disorder

CONCEPTEURICES

• Crystal Chan, Coproductrice artistique

• Peter Farbridge, Directeur artistique

• Andrée-Anne Giguère, Dramaturge du parcours sensoriel

• Victoria Laberge, Assistante à la scénographie – stations et parcours

• Malte Leander, Concepteur de son

• Léa Pennel, Scénographe du parcours sensoriel

• Ricard Soler Mallol, Metteur en scène du parcours sensoriel

COLLABORATEURICES

• Marie Ayotte, Consultante à la dramaturgie universelle

• Jean-François Boisvenue, Consultant technologies

• Chloé Germentier, Comédienne Station no 3

• Alexandre Torres, Chorégraphe Toucher de Tango

• Naila Kuhlmann, Documentariste et chercheuse

• Denis Lavalou, Comédien Station no 3

• Sigmund Pifko, Co-concepteur – Psyboulettes

 

CHERCHEUREUSES

 Melissa Park, McGill University

 Keven Lee, McGill University

 Florian Grond, Concordia University

• Aaron Richmond, Concordia University

The Partners

The project has been made possible byby Conseil des arts de Montréal, the Canada Council and the Conseil des arts et des lettres du Québec. Associated research partners include Research Centre for Human Potential (HUPR), What connects us (McGill-Concordia), Eastern Bloc, and Théâtre Déchaînés.

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