Inspired by the hybridity of practice displayed in The Centre Cannot Hold, artists working with or between different psychological, artistic, physical and ethnocultural perspectives are called upon to develop and test new dramaturgical ideas in laboratories that involve interactive, immersive and other technological devices (eg. vibration, immersive sound, volumetric video, motion triggering). Together, artists and […]
Alternative Dramaturgies: Marginality, Senses and Technologies – alt[d Read More »