Facilitated by Artistic Director Soheil Parsa, twelve actors from nine different ethnocultural backgrounds set to explore "how their cultural and personal differences could inspire a creative process". The participants brought in examples from their own cultural landscapes, including Chinese opera, Flamenco dance, Brazilian dance, and Balkan songs. These cultural signifiers (gestures, songs, etc.) were combined with text from Shakespeare's "Tomorrow" speech in Macbeth (Act IV, Sc.2). The signs were deconstructed through a psychophysical process of repetitive gestures, juxtaposed text, and additional improvised movement/sound. The experiments did not have an end-product in mind, but rather sought to find what was "compelling" on stage, a moment of "connection". Participants were also asked to organize short scenes with the group that allowed them to practice how to explore their own creative and cultural inspirations with those of the other participants.
"The workshop really opened my eyes about the difference between inspiring oneself through a sign–in terms of bringing its cultural notion — and cultural appropriation… " (Workshop Participant)
"There is something about the way theatre can incorporate many other forms into it which is a reflection of the process by which our broader societies have incorporated other societies within them over time, leading to what we now refer to as 'diversity'." (Workshop Participant)
The participants were: Amir SunM Nakhjavani, Mugisha Rutishisha, Benita Jacques, Pallina Michelot, Azin Mohammadi, Emma Gomez, Stephanie Ribeyreix, Peter Meltev, Yue Qi, Holly Gauthier-Frankel, Baharan Baniahmadi, Ligia Borgès.